From a New York Times theater review by Bruce Weber:

With the exception of the prison cell scene that opens the play, all the vignettes take place at a long banquet table in an otherwise empty black box. It’s a clean palate for the presentation of the author’s poetic jeremiads, which are helped, for the most part, by some vivid lighting effects by Russell H. Champa and the music of – who else? – Joni Mitchell.

Famous Door Theatre production history web page

(Contributed by Les Irvin)