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Joni Mitchell: A sweetheart of a lady Print-ready version

by Michael Ryan
Ohio State Lantern
January 28, 1974
Original article: PDF

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The audience in St. John Arena was pleasantly surprised by the absence of the usual half hour to 45 minute wait between acts at the Joni Mitchell concert Friday night.

Tom Scott, of Tom Scott and L.A. Express, finished the last number, walked to the microphone and introduced Joni Mitchell. The Audience was surprised because the L.A. Express had only played for a half hour before introducing Mitchell.

Remembering groups backing up big name artists in concerts earlier this year, I was not expecting much from Scott and L.A. Express. However, their stage presence and talent captivated most of the audience.

Discussing their music Scott said he "doesn't want to call it jazz because that immediately turns off some people.

"We'll just have to come up with a new word for it," he said.

Once Mitchell began her concert she proved her talent with her voice and her ability to play musical instruments with guitars, a piano and a dulcimer. She also proved to be a quick change artist, changing her outfit three times and her musical style in the last number.

Among the old favorites were "A Case Of You," "Both Sides Now" and "Queen Of The Parking Lot".

Mitchell also played some cuts from her new release "Court and Spark," recorded with Tom Scott and the L.A. Express.

After intermission Mitchell returned and performed solo for 10 numbers before the "Express" returned to accompany her. During the solo performance she talked and joked with the cooperative, responsive audience. At one point, she peered past the stage lights and asked "Where does everyone go? They're going in the doors and out the doors! Humm. OHHH! I know where they're going......"

Mitchell explained how she got ideas for lyrics to a few songs. Once, at a party of "bigwigs" in New York City she began withdrawing into herself as the party lingered on. This led to the lyrics of "People's Parties" Mitchell explained.

Another time which in a cabin in western Canada she told the audience how a tree's leaves brushing together sounded like applause.

"So I stood up and took a bow." This led to "For The Roses".

Tom Scott said that Mitchell was "an out-a-sight sweetheart of a lady."

They have been working together for a little over six months, and after finishing this tour of the East, they will tour the West for three weeks.

Unlike many accompanying group, Tom Scott and L.A. Express were well worth the $5 admission price, judging by the audience's acceptance.

Scott said he would like to return to Columbus and Ohio State because the audience was "very warm and receptive." Many audiences are used to rock bands and aren't patient with other types of music, Scott said.

The small silver sax that Scott played is an "old King Saxello," which Scott, who plays 16 different woodwinds and reeds, said "few people have and not many people play."

The "Express" recorded an album last September but its release has been delayed because of a vinyl shortage.

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Added to Library on September 29, 2013. (5529)


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Arejay on

I was at that concert. Took photographs. I was a young lad 21 years old. It was 1974 at Ohio State and cold. I will never forget it. I was down front. It was at Saint John Arena, Columbus Ohio, The Ohio State University. Some guy in the upper stands kept yelling (very obnoxiously) for Joni to do a particular song. Then, another guy yelled out "play what you want". Joni turned in the direction of the nice guy and raised her arms in the air and smiled. The crowd went silent. Then, Joni began her performance. It was spellbinding. Tom Scott and the L.A. Express were awesome. Tom Scott wore a plaid suit. Very appropriate for the time. I had plaid slacks later. I believe Tom Scott helped out on some Steely Dan recordings either before or after that date. I can recognize his unique style in my Steely Dan stuff. Robert Williams, Cincinnati, Ohio.